wordweaverlynn: (cinema)
Spoilers for Straw Dogs in post and comments. Anybody who thinks the film is about lovable stuffed animals should get out now or go read the Wikipedia entry.

Someone is remaking Straw Dogs with James Marsden (Cyclops from X-Men) in the Dustin Hoffman role and set in the American south instead of rural Cornwall. They've retained the basic poster design, though.

I haven't seen the original -- one of the few Hoffman films I haven't seen -- because the director, Sam Peckinpah, was famed for the extreme and realistic violence of his movies. (I avoided the Godfather films until the late 1990s because of the violence, too. Which seems relatively mild given current standards.)

I have to figure, given the changes in popular culture over the past 40 years or so, that Peckinpah's violence is not going to strike modern audiences the way it did in the late 1960s and early 1970s. So here is a question, fellow film fiends: How does Peckinpah stack up today? What kind of rating would The Wild Bunch or Straw Dogs get now? Why have things changed, assuming they have? Any further thoughts on movie (TV, video game) violence?

As for the remake, how can they make the transformation of a pacifist into an extremely violent man as shocking as it was in 1971?
wordweaverlynn: (cinema)
Someone has taken a US map and named an appropriate movie for each state. Or rather, one movie set there that seemed reasonably typical. Or, in one desperate case, a film that mocks the dullness of the state.* In another desperate case, they assigned the same film to two states.**

They skipped Washington, DC, which is a pity: so many great films are set there, from Mr. Smith Goes to Washington to All the President's Men. Puerto Rico and the other possessions and territories are also missing.

I recently saw Fast Times at Ridgemont High -- California's assigned movie -- for the first time, and I can see the appropriateness. But we're a big state, and plenty of other great and characteristically Californian films are set here. Movies that couldn't have happened anywhere else, like Chinatown or Milk. You could even do a Sean Penn California trilogy with Fast Times, Milk, and The Falcon and the SNowman all showing different aspects of this very diverse state. Then there's Monsters versus Aliens, which is as much about Modesto versus San Francisco as it is about anything else.

And there are so many other movies that embody the values, culture, history, or geography of a particular state, as well as being set there. Take a look at the list and come up with your own suggestions. And we may as well be international about it. What movies embody your whole nation? Or your region? Or both?

*"Delaware. We're in Delaware," Wayne's World.
** Both Wisconsin and North Dakota were assigned Jesus Camp.
The official list )
wordweaverlynn: (cinema)
Sheer delight. Don't bother reading the review. Just go see it. Then buy the DVD to pick up all the little in-jokes.

OK, you want more details?

George Clooney voices Mr. Fox, a suave and sneaky chicken-stealer who attempts to go straight. (He becomes a journalist -- dunno how straight that actually is.) Meryl Streep is his wife, who plays the usual female role of trying to tame the bad boy for the sake of the cub. (No, the movie doesn't pass the Bechdel test.) At least Felicity Fox has a talent -- she's a stormy-landscape painter, and I would hang any of her pictures on my wall. Their cub is small and poorly coordinated, especially when compared with his karate-black-belt cousin, and he desperately wants to earn his father's approval.

They go up against Boggis, Bunce, and Bean, a trio of grotesque local farmers. It's a classic battle of animal cunning versus superior firepower.

Core story by Roald Dahl, adapted and directed by Wes Anderson, production design by Nelson Lowry, who deserves an Oscar for the gorgeous look of the thing. The soundtrack was witty and effective, with original music by Alexandre Desplat and songs from The Rolling Stones and the Beach Boys.

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